PHO702: Shoot Two

Figure 1. Phil Hill (February, 2020) Selected images from Harebreaks Wood shoot

Following from my first shoot, I managed to approach a group of litter pickers that were tidying a local woodland area. It was useful to create some portraits and see how they fit in with the series I shot on the initial walk around the area (Fig. 1). For this shoot, I decided to apply some of the feedback that I have received previously regarding placing my subjects within the environment to support the contextualisation of the image (Fig. 2). Some of the images that I have selected have consciously gone for this approach within the edit. I do however like some of the close-up cropped portraits of Helen (Fig. 3) and would potentially consider re-introducing this version of her depend on how my future shoots evolve. As I have a number of portraits with the litter picking group, it could work to include a version without the plastic bag and stick if I was to include an image of one of the other that did.

Harebreaks Wood litter picker
Figure 2. Phil Hill (February, 2020) Helen full body portrait placed within the environment.
Figure 3. Phil Hill (February, 2020) Helen close up portrait.

Context of how the work is eventually displayed will play a crucial role in this decision. However, for now I have been working with the assumption that this is a form of extended editorial shoot and creating a series of images that would exist online or in a printed supplement of some kind (See post on this). This has the potential to evolve as I move through the recent weeks, I am finding that my notion of how to approach and photograph a project like this requires me to challenge and experiment with different approaches. I also interested in Todd Hido’s approach to creating narrative within his work (See post on Todd Hido) through the shooting and accumulating of images, pairing them, and collecting together sequences to synthesise ideas in what he terms as “Paper movies” (Hido, 2014, p. 114).

Figure 4. Phil Hill (February, 2020) Outtake image from Harebreaks wood shoot.

I am aiming to keep a close check on the conditions in which I am photographing this work. The lighting, for me is a crucial tool in the aesthetic quality of this project. This construction is not without its challenges, the recent large storms have led to a series of dull overcast days, and even this shoot was cut short by fast moving weather conditions. What I am finding that is not working at the moment is some of the environment shots (Fig. 4), much like my first attempt (See Shoot 1 Post), I am aiming to show a sympathetic view of this community and the overcast conditions are creating the opposite effect.

Moving forward, I have arranged to visit with a local community group running a food bank and hope to create some portraits there. I have also reached to a local drama society to see if I can collaborate and explore creating some constructed realities to weave into the rest of the narrative.


Hido, T., 2014. On Landscapes, Interiors, and the Nude. New York: Aperture.

Hill, P., 2020. Harebreaks Wood. [Photographs]

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