I have been considering a critical context for discussion in the form of Robert Putnam’s book ‘Bowling Alone’^​*​ who discusses the decline of ‘Social Capital’ and its impact on traditional communities. Social Capital are the networks and established relationships between people within society, which also can enable that society to function. It is an area that I have just begun to properly research, and very interested in exploring as a photographer. 

Identity and small communities is something that I have been exploring for a while without realising its link to social capital for some time. For example, I created a series of images called ‘classifieds’ when I was living in Western Australia where I responded to the adverts on Gumtree and asked instead to take a portrait. At the time, many people were using the site as a way of meeting people of similar interests, in a city that felt quite isolated and transient at times, forming a kind of online community.

“I have been doing tarot by myself on and off for 3 years now. I would like to take it a step further by reading for others. I am looking for people who are willing to be read.”

“Rock hobbyist looking to expand small rock collection, willing to pay for good specimens.”

“Hi, I’m a girl (early 20s) who just relocated to Perth, and I would love to find someone who genuinely would love to go rollerskating, maybe in Fremantle? I didn’t bring my skates with me, so it would have to be at a skate deck. I love disco and having a good time.”

Above images from ‘Classifieds.’ All of the text is presented as it was written on Gumtree.

Linking to the this week’s theme of interdisciplinary practice, I used the text from the adverts to caption my portraits (see above) which add an interesting background, context, and intrigue to the images. Writing, in one form or another, has a close relationship with photography. Another great example of this is Fay Godwin and Ted Hughes combination of landscape images and poetry in the book ‘Remains of Elmet’^​†​ 

Week 2 Forum: ‘Other than Photography’

Find a piece of work that has some kind of link to your own practice or research interests (you may already have something in mind or you may need to give this some thought). This could be anything you like – a film, a painting, a piece of text; but not a photograph.

Living wines app.^​†​

I was shown this app last Christmas and could see right away the application and potential in presenting an enhanced, and extended experiential photography. Augmented reality, which the app is based, is already being used in a variety of commercial settings. For example, I have seen it used to augment traditional books and make the characters sit up off the page and talk and interact with you.^​‡​ This has the potential to become cliche, or distracting of the central themes. However, in terms of including the subject that you are photographing, the technology, if used collaboratively and compassionately, could lead to interesting new ways to present photography.

Linking to this week’s reading and the studium and punctum,^​§​ it could be used to add additional elements to the subjects story, such as audio narration of the background and context of the image to create that ‘puntum’ moment of resonance in the image.

I have been considering and exploring for a while, the fundamental impact that ‘gaming’ technology is going to have on all of the creative industries. Related to Marshal McLuhans discussions around ‘The Medium is the Message.’^​¶​ the mediums and platforms that are associated with this technology. For example,  Photo-realistic rendering and powerful software such as Unreal Engine are being used in creative ways outside of their intended use, such on screen graphics for the Weather Channel.^​#​ Real-time photorealistic rendering is starting to be used in film,^​**​ and companies such as ‘The Mill’ are developing innovative motion capture solutions for automotive applications.^​††​